|
For 19th-century novelists--from Jane Austen to George Eliot,
Flaubert to Henry James--social constraint gave a delicious tension to their
plots. Yet now our relaxed morals and social mobility have rendered many of the
classics untenable. Why shouldn't Maisie know what she
knows? It will all come out in family therapy anyway. The vogue for historical
novels depends in part on our pleasure in reentering a world of subtle cues and
repressed emotion, a time in which a young woman could destroy her life by
saying yes to the wrong man. After all, there was no reliable birth control, no
divorce, no chance of an independent life or a scandal-free separation.
Christina Schwarz's suspenseful debut pivots on two of the lost "virtues" of
the past: silence and stoicism. Drowning Ruth opens in 1919, on the heels
of the influenza epidemic that followed the First World War. Although there were
telephones and motor cars and dance halls in the small towns of Wisconsin in
those years, the townspeople remained rigid and forbidding. As a young woman,
Amanda Starkey, a Lutheran farmer's daughter, had been firmly discouraged from
an inappropriate marriage with a neighboring Catholic boy. A few years later, as
a nurse in Milwaukee, she is seduced by a dishonorable man. Her shame sends her
into a nervous breakdown, and she returns to the family farm. Within a year,
though, her beloved sister Mathilde drowns under mysterious circumstances. And
when Mathilde's husband, Carl, returns from the war, he finds his small
daughter, Ruth, in Amanda's tenacious grip, and she will tell him nothing about
the night his wife drowned. Amanda's parents, too, are long gone. "I killed my
parents. Had I mentioned that?" muses Amanda.
I killed them because I felt a little fatigued and suffered from a
slight, persistent cough. Thinking I was overworked and hadn't been getting
enough sleep, I went home for a short visit, just a few days to relax in the
country while the sweet corn and the raspberries were ripe. From the city I
brought fancy ribbon, two boxes of Ambrosia chocolate, and a deadly gift... I
gave the influenza to my mother, who gave it to my father, or maybe it was the
other way around." Schwarz is a skillful writer, weaving her grim
tale across several decades, always returning to the fateful night of Mathilde's
death. Drowning Ruth displays her gift for pacing and her harsh
insistence on the right ending, rather than the cheery one. --Regina
Marler |