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Originally published in 1970, The Bluest Eye is Toni Morrison's first
novel. In an afterword written more than two decades later, the author expressed
her dissatisfaction with the book's language and structure: "It required a
sophistication unavailable to me." Perhaps we can chalk up this verdict to
modesty, or to the Nobel laureate's impossibly high standards of quality
control. In any case, her debut is nothing if not sophisticated, in terms of
both narrative ingenuity and rhetorical sweep. It also shows the young author
drawing a bead on the subjects that would dominate much of her career: racial
hatred, historical memory, and the dazzling or degrading power of language
itself.
Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an
ensemble piece. The point of view is passed like a baton from one character to
the next, with Morrison's own voice functioning as a kind of gold standard
throughout. The focus, though, is on an 11-year-old black girl named Pecola
Breedlove, whose entire family has been given a cosmetic cross to bear:
You looked at them and wondered why they were so ugly; you looked
closely and could not find the source. Then you realized that it came from
conviction, their conviction. It was as though some mysterious all-knowing
master had given each one a cloak of ugliness to wear, and they had each
accepted it without question.... And they took the ugliness in their hands,
threw it as a mantle over them, and went about the world with it.
There are far uglier things in the world than, well, ugliness, and
poor Pecola is subjected to most of them. She's spat upon, ridiculed, and
ultimately raped and impregnated by her own father. No wonder she yearns to be
the very opposite of what she is--yearns, in other words, to be a white child,
possessed of the blondest hair and the bluest eye.
This vein of self-hatred is exactly what keeps Morrison's novel from
devolving into a cut-and-dried scenario of victimization. She may in fact pin
too much of the blame on the beauty myth: "Along with the idea of
romantic love, she was introduced to another--physical beauty. Probably the most
destructive ideas in the history of human thought. Both originated in envy,
thrived in insecurity, and ended in disillusion." Yet the destructive power of
these ideas is essentially colorblind, which gives The Bluest Eye the
sort of universal reach that Morrison's imitators can only dream of. And that,
combined with the novel's modulated pathos and musical, fine-grained language,
makes for not merely a sophisticated debut but a permanent one. --James
Marcus |
